­5­
    It’s not every Vocal Jazz Ensemble that
    spends their weekend camping in the cold, wind and
    rain. Recently, the Lyons Vocal Jazz Ensemble, or
    LVJE, did just that.
    Directed by Mr. Wlodarczyk, the LVJE is
    made up of a select group of students who auditioned
    last June. This year’s LVJE includes sopranos Alicia
    Sieling (12), Johanna Stoep (12), Chanel Brown (11),
    and Paige Durham (9); altos Kristen Williams (12),
    Rebecca Wallis (11), Stacie Detorio (11), and Emily
    Stoep (9); tenors Darius Greene (11) and Greg
    Maddock (10); and basses David Cheney (12) and
    Brian Sieling (9). Accompanying the ensemble on the
    bass guitar is Tiffany Graham (10) and on the drum
    set, Olivia Maddock (9).
    The weekend of October 15
    th
    and 16
    th
    , the
    LVJE spent the night at the Cheerful Valley Camp­
    grounds. The weekend included pitching tents, cook­
    ing meals on the campfire, playing games and other
    activities, and, of course, singing. The first night ended
    with thought­provoking questions and s’mores
    around the campfire. Luckily, everyone was in his or
    her tent for the night when it started to rain!
    The purpose of the weekend was not only to
    improve their singing and performance quality, but
    also to develop a special bond within the ensemble.
    The weekend proved successful.
    The LVJE performs at every choral concert.
    At the concert on Tuesday, October 25, the LVJE
    performed
    “Taking a Chance on Love”
    and
    “Java
    Jive”
    . The next performance for the LVJE will be at
    the Winter Choral Concert.
    This
    was
    going to be a CD review of
    Deady’s
    latest release
    Commencement
    , but I found the band
    quite interesting and couldn’t help but praise them in every aspect. First, I’ll give you a brief history on these
    guys:
    Formed in 1995, they wrote most of their songs in that time period. Between then and 1999, two
    albums were made but never released. Finally, in 2002, they released the phenomenally well­made CD
    Commencement
    . Their music video for
    The Key
    To Gramercy Park
    was shown on MTV shortly
    thereafter. Their longtime bassist, “The Beast” Craig,
    left the band and was replaced by their current bass­
    ist, Craig Riker, AKA Creature. Deadsy is currently
    signed with Dreamworks/Elementree Records.
    Deadsy’s genre is called Undercore, a word
    the lead singer Elijah Blue devised to represent the
    band’s musical style and form of operation. His defi­
    nition of Undercore is: A low, dissonant sound with a
    fierce commitment to excellence. As far as that’s con­
    cerned, they’ve done a superb job at keeping up that
    title. So then, you know their genre; now, let’s move
    on to their instruments.
    The musicians themselves are incredibly tal­
    ented. Carlton Megalodon, one of the band’s guitar­
    ists, plays a type of synth guitar called a Z­Tar. I ac­
    tually had to look it up to understand exactly what it
    was. A common synth guitar looks basically like a keyboard with a neck. There are synth adapters that you
    can attach to a normal electric guitar as well – my father has one on his Schecter. Megalodon’s Z­Tar
    produces a sound that is very hard to explain in words. The normal guitar sound undermines an electronic
    enhancement that almost gives it a Nine Inch Nails industrial sound.
    Ren Hawkey, AKA Dr. Nner, is on the synthesiz­
    ers. More specifically, a very tall keyboard set. If I
    remember correctly, it kind of looks like one of those
    foldout tackle boxes, three shelves that can fold down
    and such. I do believe he has four instead of three,
    but I am going by memory. When teamed up with
    Megalodon, Dr. Nner can create an insane barrage
    of those ping­pong synth notes I so praised in my last
    review of
    Mindless Self Indulgence
    . His keyboard
    work consists of high pitched, wavering notes that
    can last up to thirty seconds. Alone, this would be
    annoying, but when weaved into the drums, guitar, Z­
    tar, and bass, it creates a mesmerizing melody that you have to hear to truly understand what I am saying.
    Craig Riker, AKA Creature, occupies the Bass guitar in outstanding performances. He basically
    adds the “oomph” factor to the synth instruments played by Megalodon and Dr. Nner. Alex Puro, AKA Alec
    Pure, delivers a fantastic performance on drums. From slow, rhythmic beats to insanely fast mayhem, Alec
    Pure is up in the ranks of Danny Carey (Tool) and Joey Jordison (Slipknot). And lastly, their vocalist/guitarist
    Elijah Blue, a mysterious, enchanting man whose intelligence is very well reflected in the beautiful lyrics he
    writes. AKA Phillips Exeter Blue, his voice is somewhat Manson­esque.
    By now I’m sure you’re wondering why they all have nicknames. Or maybe you’re not, but it
    doesn’t matter; I’m telling you anyway. Each member represents an Entity, and has their own symbol. For
    instance, Exeter’s symbol is a Blue Book, Alec’s is a Tennis Ball, Creature’s is the Hockey Mask, Dr.
    Nner’s is the Medical Staff, and the Shark Jaws are for Megalodon. All this is based on the band’s collective
    theory that humanity is driven by a force that is divided into five distinct parts. Such entities are Academia
    (Exeter), Science/Medicine (Nner), Leisure (Alec), War (Megalodon), and Horror (Creature).
    All of this personifies what Exeter calls a ‘Concept band’,
    “A band which incorporates imagery, phi­
    losophies, complicated systems, and deeper meanings into their art. If you ‘get’ the band, it’s a lot
    easier to enjoy.”
    (Quote from a fan that
    really
    knows Deadsy to the point of being creepy)
    Commencement
    is phenomenal, and they have a second CD on the way called
    Phantasmagoria
    .
    Deadsy gets bonus points for naming an album after my favorite word. For those who don’t know the word:
    poet Edgar Allen Poe commonly used Phantasmagoria, and its two variations, Phantasmagorian and
    Phantasmagore. Its basic meaning is a barrage of surreal, dreamlike images. I don’t know why it’s my
    favorite word; I guess it’s just fun to say.
    Overall, Deadsy’s sound is one of a kind. Although the band name sounds like they’re a heavy
    group, most of their songs have beautiful melodies (especially
    Winners
    ,
    Brand New Love
    , and
    Mansion
    World
    ). The combined forces of the lyrics and the music creates a somewhat surreal state of mind that
    invokes a happy emotion that stays with you for the rest of the day.
    Mane Event Reviews
    Singin’ in the Rain
    Gregory Maddock, Sophomore
    Band Review
    Deadsy
    Rocktoons.com
    How Bad
    Do You Want It?
    by: julie oehme
    How bad should you want Tim McGraw’s
    latest work of art? The opening track
    How Bad Do
    You Want It?
    sets the mood for what is a classic,
    and what, for me, was an unexpected journey back
    to what can be considered a more typical country
    sound than his last album. As a true Tim McGraw
    fan, I will be the first to admit that it took several
    good listens to this album before I warmed up to it.
    But, McGraw has yet again managed to give his fans
    a collection of humor and heart wrench that you can’t
    help but want to listen to again and again.
    Having viewed McGraw’s last album,
    Tim
    McGraw and the Dancehall Doctors,
    as having a
    sound more appealing to the masses while managing
    to uphold the fundamentals of country music, I feel
    Live Like.
    .
    . is an album that will appeal more to the
    true country music fan verses a “cross over” fan, with
    tracks like
    Do You Want Fries With That
    and
    Back When
    . It is in finding the fun and intended hu­
    mor in songs such as these that allow for virtually
    anyone to appreciate them in some way.
    What makes McGraw such a phenomenal
    performer, country fan or not, is his ability to take a
    simple lyrical composition and, in the delivery of it,
    burn it beautifully into your memory before you even
    realize what’s happened to you.
    Blank Sheet of
    Paper
    and
    My Old Friend
    are both simple songs
    that McGraw makes warm and memorable and are
    tracks that you will play over and over again.
    I am giving this album a 3 out of 5, not be­
    cause it isn’t a solid collection of songs, but because
    it does not match the magnitude of appeal and lon­
    gevity of his last album.
    The Mane Event is always looking for people to write
    reviews about music, movies, books, games, etc. If you’re
    interested see Brian Ocque, editor or the Mane Event.

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