5
It’s not every Vocal Jazz Ensemble that
spends their weekend camping in the cold, wind and
rain. Recently, the Lyons Vocal Jazz Ensemble, or
LVJE, did just that.
Directed by Mr. Wlodarczyk, the LVJE is
made up of a select group of students who auditioned
last June. This year’s LVJE includes sopranos Alicia
Sieling (12), Johanna Stoep (12), Chanel Brown (11),
and Paige Durham (9); altos Kristen Williams (12),
Rebecca Wallis (11), Stacie Detorio (11), and Emily
Stoep (9); tenors Darius Greene (11) and Greg
Maddock (10); and basses David Cheney (12) and
Brian Sieling (9). Accompanying the ensemble on the
bass guitar is Tiffany Graham (10) and on the drum
set, Olivia Maddock (9).
The weekend of October 15
th
and 16
th
, the
LVJE spent the night at the Cheerful Valley Camp
grounds. The weekend included pitching tents, cook
ing meals on the campfire, playing games and other
activities, and, of course, singing. The first night ended
with thoughtprovoking questions and s’mores
around the campfire. Luckily, everyone was in his or
her tent for the night when it started to rain!
The purpose of the weekend was not only to
improve their singing and performance quality, but
also to develop a special bond within the ensemble.
The weekend proved successful.
The LVJE performs at every choral concert.
At the concert on Tuesday, October 25, the LVJE
performed
“Taking a Chance on Love”
and
“Java
Jive”
. The next performance for the LVJE will be at
the Winter Choral Concert.
This
was
going to be a CD review of
Deady’s
latest release
Commencement
, but I found the band
quite interesting and couldn’t help but praise them in every aspect. First, I’ll give you a brief history on these
guys:
Formed in 1995, they wrote most of their songs in that time period. Between then and 1999, two
albums were made but never released. Finally, in 2002, they released the phenomenally wellmade CD
Commencement
. Their music video for
The Key
To Gramercy Park
was shown on MTV shortly
thereafter. Their longtime bassist, “The Beast” Craig,
left the band and was replaced by their current bass
ist, Craig Riker, AKA Creature. Deadsy is currently
signed with Dreamworks/Elementree Records.
Deadsy’s genre is called Undercore, a word
the lead singer Elijah Blue devised to represent the
band’s musical style and form of operation. His defi
nition of Undercore is: A low, dissonant sound with a
fierce commitment to excellence. As far as that’s con
cerned, they’ve done a superb job at keeping up that
title. So then, you know their genre; now, let’s move
on to their instruments.
The musicians themselves are incredibly tal
ented. Carlton Megalodon, one of the band’s guitar
ists, plays a type of synth guitar called a ZTar. I ac
tually had to look it up to understand exactly what it
was. A common synth guitar looks basically like a keyboard with a neck. There are synth adapters that you
can attach to a normal electric guitar as well – my father has one on his Schecter. Megalodon’s ZTar
produces a sound that is very hard to explain in words. The normal guitar sound undermines an electronic
enhancement that almost gives it a Nine Inch Nails industrial sound.
Ren Hawkey, AKA Dr. Nner, is on the synthesiz
ers. More specifically, a very tall keyboard set. If I
remember correctly, it kind of looks like one of those
foldout tackle boxes, three shelves that can fold down
and such. I do believe he has four instead of three,
but I am going by memory. When teamed up with
Megalodon, Dr. Nner can create an insane barrage
of those pingpong synth notes I so praised in my last
review of
Mindless Self Indulgence
. His keyboard
work consists of high pitched, wavering notes that
can last up to thirty seconds. Alone, this would be
annoying, but when weaved into the drums, guitar, Z
tar, and bass, it creates a mesmerizing melody that you have to hear to truly understand what I am saying.
Craig Riker, AKA Creature, occupies the Bass guitar in outstanding performances. He basically
adds the “oomph” factor to the synth instruments played by Megalodon and Dr. Nner. Alex Puro, AKA Alec
Pure, delivers a fantastic performance on drums. From slow, rhythmic beats to insanely fast mayhem, Alec
Pure is up in the ranks of Danny Carey (Tool) and Joey Jordison (Slipknot). And lastly, their vocalist/guitarist
Elijah Blue, a mysterious, enchanting man whose intelligence is very well reflected in the beautiful lyrics he
writes. AKA Phillips Exeter Blue, his voice is somewhat Mansonesque.
By now I’m sure you’re wondering why they all have nicknames. Or maybe you’re not, but it
doesn’t matter; I’m telling you anyway. Each member represents an Entity, and has their own symbol. For
instance, Exeter’s symbol is a Blue Book, Alec’s is a Tennis Ball, Creature’s is the Hockey Mask, Dr.
Nner’s is the Medical Staff, and the Shark Jaws are for Megalodon. All this is based on the band’s collective
theory that humanity is driven by a force that is divided into five distinct parts. Such entities are Academia
(Exeter), Science/Medicine (Nner), Leisure (Alec), War (Megalodon), and Horror (Creature).
All of this personifies what Exeter calls a ‘Concept band’,
“A band which incorporates imagery, phi
losophies, complicated systems, and deeper meanings into their art. If you ‘get’ the band, it’s a lot
easier to enjoy.”
(Quote from a fan that
really
knows Deadsy to the point of being creepy)
Commencement
is phenomenal, and they have a second CD on the way called
Phantasmagoria
.
Deadsy gets bonus points for naming an album after my favorite word. For those who don’t know the word:
poet Edgar Allen Poe commonly used Phantasmagoria, and its two variations, Phantasmagorian and
Phantasmagore. Its basic meaning is a barrage of surreal, dreamlike images. I don’t know why it’s my
favorite word; I guess it’s just fun to say.
Overall, Deadsy’s sound is one of a kind. Although the band name sounds like they’re a heavy
group, most of their songs have beautiful melodies (especially
Winners
,
Brand New Love
, and
Mansion
World
). The combined forces of the lyrics and the music creates a somewhat surreal state of mind that
invokes a happy emotion that stays with you for the rest of the day.
Mane Event Reviews
Singin’ in the Rain
Gregory Maddock, Sophomore
Band Review
Deadsy
Rocktoons.com
How Bad
Do You Want It?
by: julie oehme
How bad should you want Tim McGraw’s
latest work of art? The opening track
How Bad Do
You Want It?
sets the mood for what is a classic,
and what, for me, was an unexpected journey back
to what can be considered a more typical country
sound than his last album. As a true Tim McGraw
fan, I will be the first to admit that it took several
good listens to this album before I warmed up to it.
But, McGraw has yet again managed to give his fans
a collection of humor and heart wrench that you can’t
help but want to listen to again and again.
Having viewed McGraw’s last album,
Tim
McGraw and the Dancehall Doctors,
as having a
sound more appealing to the masses while managing
to uphold the fundamentals of country music, I feel
Live Like.
.
. is an album that will appeal more to the
true country music fan verses a “cross over” fan, with
tracks like
Do You Want Fries With That
and
Back When
. It is in finding the fun and intended hu
mor in songs such as these that allow for virtually
anyone to appreciate them in some way.
What makes McGraw such a phenomenal
performer, country fan or not, is his ability to take a
simple lyrical composition and, in the delivery of it,
burn it beautifully into your memory before you even
realize what’s happened to you.
Blank Sheet of
Paper
and
My Old Friend
are both simple songs
that McGraw makes warm and memorable and are
tracks that you will play over and over again.
I am giving this album a 3 out of 5, not be
cause it isn’t a solid collection of songs, but because
it does not match the magnitude of appeal and lon
gevity of his last album.
The Mane Event is always looking for people to write
reviews about music, movies, books, games, etc. If you’re
interested see Brian Ocque, editor or the Mane Event.
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