|
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Pitch |
-MELODY- |
Ascending/descending melody line | ED
|
Do | E
|
D
|
A
|
A
|
A
|
Re | E
|
D
|
A
|
A
|
Mi | E
|
D
|
A
|
A
|
Fa | E
|
D
|
Sol | E
|
D
|
D
|
A
|
A
|
La | E
|
D
|
D
|
A
|
Ti | E
|
D
|
Contour | E
|
D
|
Sequential patterns/phrases | E
|
D
|
A
|
Tonal center | E
|
D
|
Major/minor scale | E
|
D
|
Pentatonic | E
|
D
|
Treble Clef Staff | ED
|
M
|
-SOLFEGE- |
Sing Major Scale, ascending/descending | ED
|
M
|
Sing stepwise melodies within 1 ½ octaves | ED
|
M
|
Sing 2 Part melodies (2 staves) | E
|
D
|
-INTERVAL- |
3rds- Do Mi Sol Mi Do | ED
|
3rd patterns- Do Mi, Re Fa etc. | ED
|
4ths- Do Sol Do (descending) | ED
|
5ths- Do Sol Do (descending) | ED
|
Octaves- Do Do | ED
|
-HARMONY- |
Sing with accompaniment | E
|
M
|
M
|
M
|
Improvise accompaniment | ED
|
M
|
M
|
M
|
Recognize & perform independent harmony line | E
|
D
|
M
|
M
|
A
|
Authentic Cadence | E
|
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Tonic/subdominant/dominant functions | E
|
D
|
Tonality/atonality | E
|
D
|
Homophonic/monophonic texture | E
|
D
|
M
|
A
|
Polyphonic texture | E
|
D
|
-INTONATION- |
Aurally identify sharp/flat pitch performance | E
|
E
|
D
|
Duration |
-NOTE VALUES- |
Short/long sound | ED
|
Whole | E
|
D
|
A
|
A
|
Half | E
|
D
|
M
|
A
|
A
|
Quarter | E
|
D
|
M
|
A
|
A
|
Eighth | E
|
D
|
M
|
A
|
A
|
A
|
Sixteenth | E
|
D
|
M
|
A
|
Triplet eighth notes | E
|
D
|
M
|
Dotted Half Note | ED
|
M
|
Dotted Quarter Note | ED
|
M
|
Triplet Quarter Notes | E
|
Dotted Eighth Note | ED
|
-REST VALUES- |
Whole | ED
|
A
|
A
|
Half | ED
|
A
|
A
|
Quarter | E
|
D
|
A
|
A
|
Eighth | E
|
D
|
M
|
A
|
Sixteenth | E
|
-SYNCOPATION- |
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Eighth note-quarter note-eighth note, dotted quarter
Note-eighth note, eighth note-dotted quarter note |
E
|
D
|
Dotted eighth note-sixteenth note | E
|
-ARTICULATION- |
Accent | E
|
D
|
M
|
M
|
Staccato | E
|
D
|
M
|
Legato | E
|
D
|
M
|
Sostenuto | E
|
D
|
Tenuto | E
|
D
|
Marcato | E
|
D
|
Fermata | D
|
M
|
-METER- |
Steady beat - recognition | E
|
Steady beat - perform | D
|
M
|
M
|
A
|
A
|
A
|
A
|
Strong/weak beat | E
|
D
|
Compound (2/2, 6/8, 9/8) | E
|
D
|
Simple (2/4, 3/4, 4/4) | E
|
D
|
M
|
A
|
Design (Form/Structure) |
-MUSICAL FORM- |
Recognize like/different sections | ED
|
M
|
A
|
A
|
Respond to like/different sections | ED
|
M
|
A
|
A
|
Song form (verse-chorus) | E
|
D
|
M
|
M
|
Question/answer (call-response) | E
|
D
|
M
|
M
|
AB | ED
|
M
|
M
|
ABA (return) | E
|
M
|
M
|
ABACA (rondo) | E
|
D
|
M
|
M
|
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Coda | E
|
D
|
M
|
Introduction | E
|
D
|
M
|
M
|
Theme & Variations | E
|
D
|
M
|
M
|
Symphony | E
|
D
|
Opera | E
|
D
|
M
|
Suite | E
|
Concerto | E
|
Ballet | E
|
D
|
Overture | E
|
D
|
M
|
-THEMATIC DEVELOPMENT- |
Identify melodic/rhythmic motives | E
|
D
|
Principal theme | E
|
D
|
Secondary theme | E
|
D
|
Recurring theme | E
|
D
|
Contrasting theme | E
|
D
|
-MUSICAL DIRECTIONS- |
Repeat signs, 1st/ 2nd endings, D.S., D.C., al coda, al fine | E
|
D
|
-SONG STYLES- |
World Cultural, Spiritual, Patriotic, Folk Song | ED
|
D
|
Classical, Jazz, Pop | E
|
D
|
Foreign Language | E
|
E
|
- VOCAL TIMBRE - |
Speaking, singing, whisper, shout | ED
|
M
|
M
|
Child/adult voice | E
|
D
|
M
|
A
|
A
|
Vocal parts: soprano, alto, etc. | E
|
D
|
E
|
D
|
Proper Singing Voice | E
|
D
|
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Changing Voice | M
|
M
|
- INSTRUMENTAL TIMBRE - |
Un-pitched classroom instruments, sound sources, woods, metals, scrapers, shakers, drums | E
|
E
|
D
|
M
|
M
|
M
|
A
|
Pitched percussion | E
|
E
|
D
|
M
|
M
|
M
|
A
|
Instrumental ensembles | E
|
E
|
E
|
E
|
D
|
M
|
E
|
D
|
Electronic sounds | E
|
E
|
E
|
E
|
E
|
E
|
Environmental sounds | E
|
D
|
Size/shape relationship to register | E
|
D
|
M
|
- ORCHESTRAL TIMBRES - |
Families – woodwind, brass, percussion, strings | E
|
E
|
D
|
A
|
A
|
Individual instruments (by sound and sight) | E
|
E
|
E
|
D
|
M
|
A
|
A
|
- ASPECTS OF VOCAL PERFORMANCE - |
Placement of vowels and consonants | E
|
D
|
A
|
A
|
Breathing and posture | E
|
D
|
A
|
A
|
Enunciation and diction | E
|
D
|
A
|
A
|
Projection | E
|
D
|
- INFLUENCE OF EXTRA MUSICAL FORCES - |
Cultural | E
|
E
|
D
|
Religious | E
|
E
|
E
|
E
|
D
|
Social/political | E
|
E
|
E
|
D
|
Economic | E
|
D
|
Technological | E
|
D
|
Popular Music of the time | E
|
D
|
Concert etiquette | ED
|
M
|
M
|
M
|
M
|
M
|
A
|
A
|
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Musical works of various periods (medieval through 20th century) | E
|
E
|
E
|
E
|
E
|
E
|
E
|
E
|
Ethnic/folk music | E
|
E
|
E
|
E
|
D
|
D
|
Art music | E
|
E
|
E
|
E
|
E
|
E
|
Film music | E
|
E
|
E
|
E
|
E
|
Music vocations | E
|
E
|
D
|
Expressive Qualities |
-COMPOSERS AND THEIR MUSIC- |
Name | E
|
E
|
Nationality | E
|
E
|
Idiom | E
|
E
|
Important works | E
|
E
|
Listening | E
|
E
|
- DYNAMICS - |
Louder, softer sounds | ED
|
M
|
Gradual changes | E
|
D
|
M
|
Sudden changes | ED
|
M
|
Dynamic accents | E
|
D
|
To define form | ED
|
M
|
As a source of unity and variety | E
|
D
|
To create tension and release | E
|
Setting: pp, p, mp, mf, f, ff | E
|
D
|
Changing: crescendo, decrescendo, diminuendo | E
|
D
|
- TEMPO - |
Faster, slower | ED
|
M
|
Gradual changes | ED
|
M
|
Concept Areas: | K
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
Standard
|
Sudden changes | E
|
D
|
M
|
To create tension and release | E
|
D
|
M
|
To define musical form | ED
|
M
|
As a source of unity and variety | E
|
D
|
Setting: largo, adagio, andnate, moderato, allegretto, allegro, vivace, presto | E
|
D
|
Changing: accelerando, ritardando, rallentando, allargando, a tempo | E
|
D
|
-MUSICAL EXPRESSIONS- |
Agitato, animato, spirito, energico, furioso, maestoso,
brilliante, grave, cantabile, dolce, religioso, grandioso, etc. |
E
|
D
|
-ANALYSIS- |
Pitch, Rhythm, Text (words) | ED
|
M
|
Diction, Expression, Balance/Blend, Intonation,
Projection |
E
|
D
|
-UNDERSTANDING- |
Historical/ Cultural context of song | E
|
D
|
Purpose of Song | ED
|
M
|
Understanding Text | E
|
D
|
Awareness of how text and music fit together | E
|
E
|
-PROPERTIES OF SOUND- |
Pitch, Timbre, Envelope, Volume, Location | E
|
D
|
Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
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b.
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d.
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Activity | Benchmark | Standard | Application Level |
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b.
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c.
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
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HPEHE:
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Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
Materials: |
HPEHE:
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Activity | Benchmark | Standard | Application Level |
a.
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b.
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c.
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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d.
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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d.
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Activity | Benchmark | Standard | Application Level |
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b.
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d.
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
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Activity | Benchmark | Standard | Application Level |
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
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d.
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Activity | Benchmark | Standard | Application Level |
a.
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MST: ELA: Arts: LOTE: CDOS: SS: |
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b.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
c.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
d.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
Activity | Benchmark | Standard | Application Level |
a.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
b.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
c.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
d.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
Activity | Benchmark | Standard | Application Level |
a.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
b.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
c.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
d.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
Activity | Benchmark | Standard | Application Level |
a.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
b.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
c.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
d.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
Activity | Benchmark | Standard | Application Level |
a.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
b.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
c.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |
||
d.
Materials: |
HPEHE:
MST: ELA: Arts: LOTE: CDOS: SS: |