|
Assessment | Acceptable Performance Level |
Standardized Lesson books and material | Completion of Book 1 within the first two years of study |
Concert Performance | Demonstration of proper etiquette, dress and response to music |
Survey and feedback of performance/rehearsal | Answers are made in complete sentences, and show that thought and reflection have been given to both the questions and music |
Recorded lesson material | Students will demonstrate, on tape, the ability to vocalize musical passages and discuss these performances |
Assessment | Acceptable Performance Level |
Standardized solo material, as indicated by the NYSSMA manual | Student will be able to perform, by the end of their fourth year of study, a NYSSMA solo of level 3 or higher |
Survey and feedback of performance/rehearsal | Written answers demonstrate at least an understanding of the styles and techniques involved, as well as some of the expressive material included in the performance |
Performance Final | Will show a mastery of the material, including expression and dynamics, performed from memory |
Recorded vocalization | In rehearsal and lessons, students will sing difficult musical passages with at least 80% accuracy of notes and rhythms |
Written test | Student will receive a passing grade of 60% or better on a written test about composers and performance practice |
Theory | Having studied Elba’s music theory course, students will be able to pass a final exam (grade of 60% or better) on the material covered |
Jazz Improvisation | Members of the jazz band, having worked with the group one year or more, will be able to follow basic Blues Chord Changes, and improvise a solo over these |
Content Sequence | Performance Indicators | Performance Level |
Written notation-reading and playing from a standardized method book | 1B, 1C | 2- Developing
*the second number in this box represents the level expected from secondary students* 4-Mastery |
Musical Interpretation-Playing music of various styles and cultures
|
1B, 4C |
2-Developing
4-Mastery |
Transposition- The relationship between the notes a student plays on their primary instrument and “Concert pitch” | 3B | (Secondary students only)
3-Proficient |
Key signatures – Notation and sound in regards to major and minor | 3B | 2-Developing
3-Proficient |
Improvisation- Jazz band students only-introduction to chord progressions | 1A,2A | (secondary students only)
2-developing |
Performance-selections from the NYSSMA manual | 1C, 1D | 3-Proficient |
Singing- Using the voice to help audiate difficult musical passages | 1A, 4A | 2-Developing |
Music History- Composers and their styles | 3D, 4B | 2-Developing |
Concert setting-etiquette | 2E | 3-Proficient |
Concert review-oral feedback from students | 3D | 2-Developing |
(secondary students only)Music theory-computer program | 3B | 3-Proficient |